October 26, 2009

Bernadette Twirling, New York City

Part 1 – Inspiration

This picture seems to merit two weeks’ worth of my time. So today, for part one, I will focus on location and light–the sources of my inspiration.

The first thing that strikes me about this picture is a small anecdote from a shoot that took place long ago at an estate on Long Island.  I asked the owner of the house if it would be possible to shoot the interior of the house as well as the exterior gardens. She reacted by saying, “Oh, you want to be able to come inside if it’s raining?”  My response, however, was, “No, I’d like to come inside in case it’s sunny.”

This explains a lot about how I work. I have chosen over the years to never shoot in studios.  They feel sterile and artificial, and I became a photographer to find a way to be a part of the world.  I have no interest in turning my back on it, isolating myself in an artificial environment, and seeking total control.  I’m already isolated enough.

Light—with all its glorious variation from day to day, city to city, latitude to latitude—is my source of inspiration. In biblical times, knowledge, truth and insight were exposed by how they were illuminated.  Without light there was only darkness.  Revelations came through light. Likewise, with me, natural light is what best exposes and illuminates beauty. As a result, for the majority of my 40 years in photography, I have worked with available light. And this location is an example of how natural light is able to illuminate beauty.

America, which is a modern country, has for the past 75 years done its best to abandon that which is most sacred—light.  Most modern commercial construction is created with tinted or closed off windows, so that temperature and climate are easily controlled.  They are mimicking what photographers do in studios. They are turning their backs, closing their eyes to the outside.

This is one of the few locations I’ve ever found in New York that has all the things I love.  It has age, character, and large southerly windows that open. It allows me to feel I am in some glorious space, as many must have felt as they first walked into Chartres Cathedral centuries ago.

Comments

6 Comments »

  1. Greetings from Egypt to the best thinker/photographer i’ve ever seen, your work is out of this world yet a part of it.
    I wish one day I could come and have a chat with you.
    You are a movement.

    Comment by Karim Omran — October 27, 2009 @ 1:56 am

  2. Great post! Nice to see you back this week

    Comment by h — October 27, 2009 @ 4:59 am

  3. mr smith..

    your most delicious cake of inspiration yet! my immediate reaction was to gorge myself & devour it all in a frenzy without even chewing, but instead i will savour and appreciate every bite & enjoy the journey.

    thanks :)

    Comment by toddhuntermcgaw — October 28, 2009 @ 4:30 am

  4. thank you! I’ve always felt the same as you about lighting, but when I found my studio, the building itself, a work of art, and my space, with 18 feet x 10 feet tall of windows, a total natural light studio, most exclusively for babies, I found my spot. Otherwise we are outside, where we should be!

    Comment by allyson magda — October 29, 2009 @ 10:45 pm

  5. I like your sense of proportion and your ability to bring out people’s character in your work. I look for those ways too as an artist. Light is difficult to bring out in the rain, its a real struggle to work with getting it right. The technical and spiritual are sometimes at war.

    Comment by susanr — December 5, 2009 @ 4:01 pm

  6. Exquisite work and attention to detail. I’m in awe of the mood and elegance of your imagery. They are much more than slices of time. High impact and well constructed. Thanks for posting the images and your words to match. Great work.

    Thanks,
    Kelly

    Comment by Kelly Shipp — January 10, 2010 @ 3:48 pm

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